Giangiacomo Guelfi (born on December 21, 1924) is an operatic baritone, particularly associated with Verdi and Puccini. Born in Rome, he studied law before turning to vocal studies, in Florence, with the great baritone Titta Ruffo. (He is not to be confused with Carlo Guelfi, a younger baritone, also born in Rome.[1][2])
Giangiacomo made his stage debut in Spoleto, as Rigoletto in 1950. He made his debut in 1952 at the Teatro alla Scala in Milan, also appearing in Venice, Milan, Florence, Rome, Naples, Palermo, Catania, and becoming a regular guest at the Arena di Verona. Outside Italy he appeared in Berlin, Lisbon, London, Cairo. He made his American debut in 1954 at the Lyric Opera of Chicago, and at the Metropolitan Opera of New York in 1970, he also appeared in Buenos Aires and Rio de Janeiro. He took part in the creation of contemporary works notably Lazzaro in Pizzetti's La figlia di Jorio, Naples, 1954. However he was mostly known for his Verdi portrayals in opera such as; Nabucco, I due Foscari, Attila, Macbeth, Il trovatore, I vespri siciliani, La forza del destino, Aida, etc. He was also appreciated in verismo operas such as; Cavalleria rusticana, Andrea Chénier, Tosca, La fanciulla del West, etc.
Guelfi had a large, powerful and exciting voice and was an extrovert performer but was able to adapt these attributes to more classical works such as Guglielmo Tell, Lucia di Lammermoor, La favorite, L'Africaine, and Spontini's Agnes von Hohenstaufen.
He can be heard as Rance in "La fanciulla del West" in the recording with Tebaldi conducted by Arturo Basile.